A History of South African Literature - download pdf or read online
By Christopher Heywood
Christopher Heywood surveys consultant South African poems, performs and prose works in 5 literary traditions: Khoisan, Nguni-Sotho, Afrikaans, English, and Indian. Heywood's choices contain over a hundred authors and chosen works--covering poetry, theater and prose. Explored within the context of crises resulting in the formation of recent South Africa, South African literature emerges from this examine as one of many nice literatures of the trendy international.
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Extra resources for A History of South African Literature
The pigeons’ quiz explains to the queen that she must find a vessel, place in it a clot of blood drawn from her body by cutting her thighs with a knife, and keep the vessel covered. In due course a boy and a girl are born from the vessel and carefully concealed. Neighbouring emissaries, having spied the girl when she has grown to be an adult, offer to propose her as a match for their prince. Consternation ensues, the narrator gravely continues, since everyone knows the queen has no child. After two detours into animal metamorphoses, everything is explained, and this mystifying and enchanting story ends happily.
Another major historical event was the Afrikaners’ migration by wagon to the northern grasslands of Natal, the Free State, and Gauteng (Transvaal) by Afrikaner families in the Trek (Great Trek), between 1835 and 1838. Mistrust of the British military style of colonial government, resentment against taxation that achieved no visible results, economic hardship, and the search for new grazing lands were among the precipitating causes of this extensive migration. Revision of this view began to appear in the mid-twentieth century from Afrikaner writers with a sense of the violent past, notably in Introduction 23 Edward Roux’s Time Longer than Rope (1948), P.
And I long to be back in my world, to be talking to my fellow men’ (Bleek, p. 300). Longing for his people and their stories, and sensing their presence in his exile, Kabbo relates: I sit silent. I must wait listening behind men, while I listen along the road, while I feel that my name floats along the road; they (my three names) float along to my place; I will go to sit at it; that I may listening turn backwards with my ears to my feet’s heels, on which I went; while I feel that a story is the wind .
A History of South African Literature by Christopher Heywood