Cladding of Buildings - download pdf or read online
By Alan J. Brookes, Maarten Meijs
This key textual content addresses the subject of light-weight claddings in structures and is an invaluable advisor and reference source.
Written via famous experts within the box, this fourth version of a longtime textual content has been revised all through to include the newest environmental concerns, using wooden and terracotta in cladding, and use of latest fabrics, fairly the recent moulded fabrics. new chapters disguise wooden and terracotta in cladding. the most forms of cladding platforms are defined intimately and strategies of creation, functionality features, purposes and techniques of meeting are defined clearly.
Illustrated all through with images and diverse line drawings, this can be an important review of the topic for either the coed and the practicing architect.
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This key textual content addresses the subject of light-weight claddings in constructions and is an invaluable consultant and reference source. Written by means of famous experts within the box, this fourth version of a longtime textual content has been revised all through to include the most recent environmental matters, using wooden and terracotta in cladding, and use of recent fabrics, relatively the hot moulded fabrics.
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Extra resources for Cladding of Buildings
Lifting provision for transportation and erection should if possible be above the centre of gravity, so that when the panel is suspended it will hang in a vertical plane. Tilting of the panels during lifting on site can cause difficulties in placing and fixing. Often it is not possible to suspend a cranked unit, such as a spandrel panel, from its outer face because of difficulties of patching over the fixing sockets. Special lifting devices are then used (Fig. 13) to support the panel and keep the centre of gravity below the crane hook (Fig.
36 Terracotta and brick slips Mixing It is then mixed into a plastic compound which is fed by conveyor belt into the molding machine. Extrusion Here the clay is pushed through an extrusion mould. Any air present in the compound is removed, the clay is formed into the desired shape and is cut to length. The size of the piece is about 7% larger than its final size because the raw piece undergoes shrinkage when dried and baked in the kiln. Drying These raw pieces are then placed in the drying chambers, which are heated to approximately 100°C by hot air recovered from the kilns.
The gel coat, a layer of resin that forms the outer surface of the GRP, provides protection for a mixture of glass-fibre reinforcement and a polyester lay-up resin. Coloured pigments can be added either to the resin or to the gel coat, and, in addition, chemicals and fillers can be added to improve the fire retardancy of the composite. The liquid resin is polymerized or cured into a hard solid by the addition of chemical catalysts, which are mixed into the resin shortly before the material is laid up – in the mould – with the glass fibre.
Cladding of Buildings by Alan J. Brookes, Maarten Meijs