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Additional info for Architectural Temperance: Spain and Rome, 1700-1759

Sample text

Oñate never achieved his aim, though he was named viceroy of Naples, leaving behind a work in progress that was subsequently modified by Antonio Del Grande (Minguito Palomares 2011). 15). 15 Ferdinando Fuga and José de Hermosilla, Pianta del Piano Terreno del Teggio Palazzo di Spagna esistente in Roma (1747). AGA: Sección Asuntos Exteriores, caja 54/00261. España, Ministerio de Educación, Cultura y Deporte. 16). Two running balconies separated the lower base floors from the piano nobile, providing external viewing over the piazza.

18 Spain and Rome a bastion of Spanish influence in Rome and the Spanish Cardinal PortoCarrero, who earlier had contributed a large sum for the Lateran Apostles, also gave 3,000 gold écus for “une balustrade à Ste-Marie Majeure,” a reference which must concern the portico gates. The mention of the gift in 1709 by the Director of the French Academy in Rome was given in regard to a protest against the papal decision to recognize the Imperial candidate, the Archduke Charles, as King of Spain, at the expense of the French Bourbon contender, Philip V.

Aróstegui commissioned Fuga to carry out the work, and with the help of José de Hermosilla (1715–76), one of his Spanish pupils sent by the Junta, they prepared six drawings of the existing building (Simal López 2004). The study led Aróstegui to concede that an academy of fine arts housed in the palazzo would regrettably exceed the spatial and financial resources of the embassy. 16). 7 Finally, Cardinal Joaquín Portocarrero (1681–1760) played an important role in the cultural life of Spain and Rome in the eighteenth century.

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