Kerry Powell's Women and Victorian Theatre PDF

Occult Paranormal

By Kerry Powell

ISBN-10: 0521033292

ISBN-13: 9780521033299

Victorian girls have been exhilarated via the authoritative voice and the pro chance the theater provided them. during this publication Kerry Powell chronicles the advance of women's participation within the theater as playwrights, actresses and executives and explores the making of the Victorian actress, gender discourse and playwriting of the interval, and the contributions those made to advancements within the following century.

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Bernhardt, Duse, Rachel, Siddons, Jordan, Sophie Arnould, la Gabrielli - 1 could add a hundred to this brief count of those who were not possible persons as wives. There is no other explanation for it, and it had best be faced. One can't be possible every way.. 1 don't see how you can rock the cradle, rule the world, and play Ophelia perfectly, all in the day's work. Power and performance, in this equation by Gordon Craig, join to eliminate any capacity to "rock the cradle" as a successful wife and mother.

Was the "strongest" of the two, but Mother was more cunning, and the dearest - no woman could possibly 22 The making of the Victorian actress have been a better mother, a truer wife, a more faithful, unswerving guardian and guide.. had it not been for E. T. - that public person who came between us. Ellen Terry, "two persons in one body," seems to have recognized this doubleness herself and regretted it - "so imperfect," Craig quotes her as having said, "unable to be one thing or another.. " Far from being peculiar to Ellen Terry, this incompatability with domestic life was seen as common to actresses, at least the best ones: Great actresses and singers as a rule don't marry with success.

92 The physical and mental strains upon an actress, particularly in demanding roles, seemed inconsistent with her gender, and her ability to bear up under their weight sometimes surprised critics. "93 Much more to be expected is the decline or demise of the overtaxed woman performer, such as Trilby, the title character in the novel by George Du Maurier. She sinks toward death, her lovely voice broken and tuneless, once the supernatural and quasi-medical support of the hypnotist Svengali has been withdrawn as the result of his own death.

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Women and Victorian Theatre by Kerry Powell


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