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Example text

Its publication history might well be interesting in its own right, as the volume has passed from World Publishing Company, where it “was not distributed and soon went out of print,”26 only to be republished with the addition of six poems and a revised format (the original last section became the opening one) as the sixth volume in Harper and Row’s Native American Publishing Pro- 33 RIDING THE EARTHBOY 40 gram in 1976. Later still, in 1990, Confluence, a small press in Lewiston, Idaho, reprinted the Harper and Row edition, and in 1997 Carnegie-Mellon Press took over from Confluence, reprinting the book as part of its Classic Contemporaries series.

His portrayal of a meeting with Russell Means, the most widely known Indian militant of his generation, at an Elks Club outside Hardin, Montana, is surely one of the most memorable scenes in the book. Introduced as a sort of mystery guest, Means is at first “hostile and abrupt” (255), and he aims some aggressive questions at documentary filmmaker Paul Stekler, but at the end, Means joins in with the rest of them, “telling stories, laughing, teasing. He was still the center of attention, but more in the manner of a raconteur than an activist who had stirred more than one audience to action.

The spiders, then, behave like poets, providing meaning for the incessant element that blows through the world Welch depicts. In “The Versatile Historian,” the last poem of the third section, the first-person speaker portrays himself as a singer/poet in autumn, but initially it is unclear whether the speaker or the forests are “needing / wind that needed fire” (54). ” The sky and the “chanting clouds” that “crowded against the lowest peak” are all he needs to sing about “trouble to the north,” but “Sleeping weasels robbed / my song of real words.

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