This Is Our Life: Haida Material Heritage and Changing - download pdf or read online
By Cara Krmpotich, Laura Peers
In September 2009, twenty-one contributors of the Haida state went to the Pitt Rivers Museum and the British Museum to paintings with a number of hundred background treasures. that includes contributions from the entire contributors and a wealthy collection of illustrations, This Is Our Life info the awesome tale of the Haida undertaking - from the making plans to the come upon and during the years that undefined. a desirable examine the which means in the back of items, the price of repatriation, and the influence of ancient trajectories like colonialism, this can be additionally a narrative of the knowledge that grew among the Haida humans and museum employees.
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Additional info for This Is Our Life: Haida Material Heritage and Changing Museum Practice
Georges Erasmus, then National Chief of the Assembly of First Nations, wrote the introduction to the catalogue for 30 | Chapter 1 Living Arctic, and subsequently invited King to speak at the conference at Carleton University in Ottawa, advocating collaboration between First Nations and museums, which led to the appointment of a task force and its subsequent recommendations for museums in Canada following the controversial Spirit Sings exhibition in 1988 (Hill and Nicks 1992). King continued to work in the Arctic; his account of Arctic photography, Imaging the Arctic (King and Lidchi 1998), was published in collaboration with the Science Institute in what is now Nunavut, and in 2001 he organized a conference on Arctic clothing at the British Museum, which included the participation of many people from the Arctic region.
These collections are valued in UK museums because they provide narrative details about British histories as well as Haida histories. But they are also sometimes seen as sensitive and “difficult” 5 to use because their meanings might be contested, their display might offend source community members, and the objects themselves may become the focus of repatriation claims. At the same time, indigenous researchers have been coming more frequently to work with collections in museums across Britain, and developing productive relationships with staff in those institutions.
We were gaining strength to pursue our repatriation requests in the UK. With the successful North American repatriation efforts under our belts, we continued to network with the Pitt Rivers Museum and the British Museum. In 2005, Vince Collison began talking about Cara Krmpotich, a doctoral student from Oxford, who wanted to write her thesis on the Haida repatriation effort. He introduced her to the Haida Repatriation Committee, and I strongly believe she was sent to us for a reason. She moved into my house for about a year, spending time studying the repatriation effort, slinging coffee at my Haida Rose Cafe and making Haida Gwaii her second home.
This Is Our Life: Haida Material Heritage and Changing Museum Practice by Cara Krmpotich, Laura Peers