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Additional resources for The Best American Crime Writing 2006 (Best American Crime Reporting)

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All of that is true, of course. But one of the legal system’s central functions is to allocate responsibility for harms that occurred even decades ago—thus creating incentives for sound behavior in the future. In any event, it would be easier to sympathize with the school had its fight against Hardwicke not been so vicious—and, at times, so ham-handed. When, for example, the lawsuit was filed, the The Choirboy 19 school’s lawyers submitted an official reply that argued that Hardwicke had no case because he consented to the sex with Hanson—and that by not revealing it sooner, he was more negligent than the school.

Downstairs, however, was De Niro. He was going to Italy on his own to catch the speech nuances of people in towns mentioned in the script. He was earning seven hundred and fifty dollars a week for the movie. ” What he wanted first was to play Italians who were in the Mafia. The crime actors had been mostly Jewish: Edward G. Robinson, Alan King, Rod Steiger, Eli Wallach, Paul Muni, Jerry Orbach. They were the stars of an American industry of writers, editors, cameramen, directors, gofers, lighting men, soundmen, location men, and casting agents who were all on the job and on the payroll because of the Mafia.

His goal is to close the school. I think that he along with his id wants to do it. ” Besides, he argues, the school can’t be held liable for Hanson’s private behavior—which he equates with an employee’s stopping in a bar after work and slugging someone in the mouth. ” he asks. Why not? ” If the case does go to trial, Greenblatt clearly intends to wage an assault on Hardwicke’s credibility. “I believe he was molested. I believe that molestation took place in private and that no one knew about it or reasonably should have known about it.

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