Download e-book for iPad: T.S. Eliot and Early Modern Literature by Steven Matthews
By Steven Matthews
T.S. Eliot and Early smooth Literature, for the 1st time, considers the whole ingenious and ethical engagement of 1 of the main influential poets of the 20 th century, T.S. Eliot, with the Early sleek interval of literature in English (1580-1630). This engagement haunted Eliot's poetry and significant writing throughout his occupation, and could have a profound influence on next poetry the world over, in addition to upon educational literary feedback, and wider cultural perceptions. To this finish, the ebook elucidates and contextualizes a number of points of Eliot's pondering and its impression: via institution of his unique and eclectic figuring out of the Early sleek interval with regards to the literary and important resource fabrics on hand to him; via attention of uncollected and archival fabrics, which recommend a necessity to re-evaluate proven readings of the poet's profession; and during consciousness to Eliot's resonant formulations in regards to the interval in consequent literary, serious and creative arenas. To the tip of his lifestyles, Eliot needed to fend off the presumption that he had, not directly, 'invented' the Early sleek interval for the fashionable age. but the presumption holds a few strength - it really is famously and influentially an implication working via Eliot's essays on that precedent days, and during his many references to its writings in his poetry, that the Early smooth interval shaped the main specified old analogy for the apocalyptic occasions (and consequent social, cultural and literary turmoil) of the 1st 1/2 the twentieth-century. T.S. Eliot and Early glossy Literature supplies a finished feel of the important engagement of this self-consciously smooth poet with the sooner interval he regularly declared to be his favorite.
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Extra info for T.S. Eliot and Early Modern Literature
His engagement with the Early Modern altered as his own thoughts developed, but also as the inevitable comparison between the Early Modern, and his contemporary age, evolved in Eliot’s own work, and in that of critics and poets whose writing he was attentive to. The Early Modern was Eliot’s declared ‘favourite literary period’; this study continually reflects, however, the ways in which that period was further nuanced, for him, by the understanding of the Early Modern in recent criticism (LI, 263).
For the American critic Felix Schelling, this perceived unified appeal in the Elizabethan drama allowed for a negative commentary, in a style close to Eliot’s later comparisons, on recent work. For Schelling, the Elizabethan material marked a forcible contrast to literature from the late nineteenth century. Elizabethan writing was ‘focused in the activities of the age itself and was literally a great national utterance’. ‘Modern drama,’ however, is ‘less interesting’ and contains ‘more of the individual less of the time’.
Yet his respect for this criticism seems, from the guiding comments entered on the Reading List, to be at best equivocal. His unguarded view of these recommended critics’ attempts to describe the literature of the earlier period is given, though, in a piece he wrote on ‘Studies in Contemporary Criticism II’ from November–December 1918. A. S. Boas’s Shakespeare’s Predecessors ‘the literary criticism is negligible’; and that Felix Schelling’s Elizabethan Drama is ‘the most painful of all’. For Eliot, then, the critical ‘field’ of his topic remained in his view outmoded at best, and void of critical understanding.
T.S. Eliot and Early Modern Literature by Steven Matthews