Download e-book for kindle: Scab: a comic drama in two acts by Sheila Callaghan
By Sheila Callaghan
Dramtic Comedy / 1-2m, 3f / basic Set Anima's sphere of desperation and self-destruction is invaded via the arriving of her perky new roommate, Christa. Moved via a very malevolent statue of the Virgin Mary and a houseplant named Susan, Anima and Christa quickly input right into a profound and intimate friendship that incurs irritating effects. "Brilliantly and poetically rendered...[Callaghan's] playful feel of language and her attunement to her characters are enthralling." - outing Chicago "Scab...is a textbook instance of promising paintings, written with a yen for fascinating language and liberally salted with well-observed info of the lives of newly minted adults...the play shines." - the recent York occasions "Darkly humorous forays into the surreal...Callaghan indicates expertise within the creative myth sequences...A trendy production." - The Village Voice
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Additional resources for Scab: a comic drama in two acts
The apocalyptic world’s-end situation, captured perfectly by the original but erased Flood inspiration of Fin de Partie, has not, alas, ceased to be of immense and growing concern to every thinking person since Hiroshima. Beckett mirrors the macrocosmic selfdestructiveness of the human race in the microcosm of the dysfunctional family, tearing each other apart with selfishness, cruelty, and greed, precisely those human qualities that threaten to reduce Gaia to the state of a treeless and waterless desert.
In the mid-1950s, the Soviet invasion of Hungary and Anglo-American H-bomb tests in the Pacific did not encourage optimism, but—despite his alert interest in world affairs—Beckett was not given (until Catastrophe) to using theater for overt political comment. Endgame must be something more than a warning tract. ” This leads to a more probable interpretation, or at least one that is more consistent with my idea of the level on which Beckett was working: one that takes Endgame above and beyond such mundane matters into a more esoteric and truly apocalyptic dimension; one that takes us from Schubert to Messiaen, in fact.
If, then, it is true that music-lover Beckett never heard or knew of the quartet, it remains puzzling. ” How could this not interest the Beckett who wrote: “music is the Idea itself, unaware of the world of phenomena, existing ideally outside the universe, apprehended not in Space but in Time only, and consequently untouched by the teleological hypothesis” (Proust 92)? ) music being written round him in Paris! It would be another thirty years before Beckett was to bring together the Winter Journey and the End of Time—in What Where: It is winter.
Scab: a comic drama in two acts by Sheila Callaghan