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By Kevin Curran
''Marriage, functionality, and Politics on the Jacobean Court'' constitutes the 1st full-length learn of Jacobean nuptial functionality, a hitherto unexplored department of early sleek theater along with masques and entertainments played for high-profile weddings. Scripted by means of such writers as Ben Jonson, Thomas Campion, George Chapman, and Francis Beaumont, those entertainments have been fastened for probably the most major political occasions of James' English reign. the following Kevin Curran analyzes all six of the elite weddings celebrated on the Jacobean court docket, interpreting the masques and entertainments that headlined those occasions along contemporaneously produced panegyrics, pageant books, sermons, parliamentary speeches, and different resources. The examine exhibits how, jointly, marriage ceremony entertainments grew to become the belief of union right into a politically flexible classification of nationwide illustration and provided new methods of imagining a particularly Jacobean kind of nationwide id through doing so.
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Extra resources for Marriage, Performance, and Politics at the Jacobean Court
15 Queen Elizabeth, however, having the rather uncommon status of being a single female monarch, brought quite specific cultural meanings to these conventional royal tropes. James’s adoption of this language could not escape its local resonances. The images that he used in his early speeches and proclamations referred his audience to the very different reign and cultural ethos of his immediate predecessor, not to a wider tradition of European Lady Anne Southwell, “To the kinges most excellent Majestye,” in Early Modern Women Poets, (eds) Jane Stevenson and Peter Davidson (Oxford: Oxford University Press, 2001), 119–20.
43 See further, two essays by Alan MacColl: “The Construction of England as a Protestant ‘British’ Nation in the Sixteenth Century,” Renaissance Studies 18 (2004): 582– 608, and “The Meaning of ‘Britain’ in Medieval and Early Modern England,” Journal of British Studies 45 (2006): 248–69, especially 259–68. A. Lavin, New Mermaids (London: A & C Black, 1969). 45 See Bennett, “Britain Among the Fortunate Isles,” 121. 46 All references to Shakespeare are from The Norton Shakespeare, (eds) Stephen Greenblatt et al.
In the case of the marriage metaphor, the relationship between the ruler and the kingdom changes. There is a gender switch. 31 This is not unprecedented. 33 Bale’s England/monarch relationship is an inversion of the one Birch would contrive 20 years later in his “songe” about Elizabeth. In King Johan, it is Englande who is the steadfast and resolute wife, Englande who cites death as the sole deal-breaker of marital obligation. King James, then, was not the first to imagine England as wed to a male ruler.
Marriage, Performance, and Politics at the Jacobean Court by Kevin Curran