Edward S. Curtis and the North American Indian Project in - download pdf or read online

By Mick Gidley

ISBN-10: 0803221932

ISBN-13: 9780803221932

In Edward S. Curtis and the North American Indian undertaking within the Field, Mick Gidley presents an intimate and informative glimpse of Edward S. Curtis (1868–1952) and his affiliates as they undertook their paintings within the early many years of the 20th century. Photographer Curtis launched into an epic quest to rfile via notice and imagine the conventional cultures of local americans within the western United States—cultures that he believed have been necessarily doomed. Curtis’s venture grew to become the biggest anthropological firm undertaken during this nation and yielded the enormous paintings The North American Indian (1907–30). Its ebook used to be a watershed within the anthropological examine of local american citizens and encouraged the 1st full-length documentary movie, renowned journal articles, books for younger readers, lectures, and images exhibitions. Housing a wealth of ethnographic info but steeped in nostalgia and predicated upon the belief that local americans have been a “vanishing race,” Curtis’s paintings has been either influential and debatable, and its imaginative and prescient of local americans needs to nonetheless be reckoned with today.
Gidley attracts on a wide range of unpublished or uncollected memories, stories, letters, box notes, and journal and newspaper articles. The stories and reflections via Curtis and the project’s ethnological assistants, memoirs via Curtis relations, and eyewitness debts via newspaper journalists find the money for an remarkable examine the method of anthropological fieldwork because it used to be generally practiced in this interval. This e-book additionally sheds mild at the perspectives of Curtis and his contemporaries pertaining to their company and the local peoples they labored with and offers a clearer feel of the way either local american citizens and the mainstream American public perceived their efforts.

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Each man doing his part, we were soon through with breakfast and our camp equipment loaded, horses harnessed and saddled, and under way. Today the Chief and I took the saddle horses and rode on ahead. The road we were travelling was the old government road to Fort Apache. Every mile of the way seemed to bear some land-mark which formed a part of the stormy days of conflict between the hostile Apaches and the troops. Time after time troops had been hurried over this route, at times to quell a threatening outbreak, again to give aid to comrades lacking the strength to hold their own.

Similarly, we know that a whole volume, 12, was devoted to the Hopis, who were also prominently represented in the musicale performances of 1911, in which Curtis not only evoked their Snake Dance in some detail (see fig. 8), but featured what he called his “personal note” about his own participation in the dance. Much the same could be said about the Navajos, together with their Yebichai ceremony. ) 31 So, what more may be said about the principles of selection followed here? A fundamental constraint was, inevitably, the nature and sources of the records that have survived to become accessible.

Few tribes had proven so secretive as to their religious beliefs and practices; at least I gathered this from the campfire talk of the men. Personally I had never thought of the Apache as having even the first trace of religion. The only mental picture I could form of them was as a wild, desert and mountain tribe of marauders, giving no thought to anything but warfare. Later the workers of our party demonstrated that the Apache creation story is one of the most beautiful and poetic known to literature.

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Edward S. Curtis and the North American Indian Project in the Field by Mick Gidley

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