Edward S. Curtis and the North American Indian Project in - download pdf or read online
By Mick Gidley
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Additional info for Edward S. Curtis and the North American Indian Project in the Field
Each man doing his part, we were soon through with breakfast and our camp equipment loaded, horses harnessed and saddled, and under way. Today the Chief and I took the saddle horses and rode on ahead. The road we were travelling was the old government road to Fort Apache. Every mile of the way seemed to bear some land-mark which formed a part of the stormy days of conﬂict between the hostile Apaches and the troops. Time after time troops had been hurried over this route, at times to quell a threatening outbreak, again to give aid to comrades lacking the strength to hold their own.
Similarly, we know that a whole volume, 12, was devoted to the Hopis, who were also prominently represented in the musicale performances of 1911, in which Curtis not only evoked their Snake Dance in some detail (see ﬁg. 8), but featured what he called his “personal note” about his own participation in the dance. Much the same could be said about the Navajos, together with their Yebichai ceremony. ) 31 So, what more may be said about the principles of selection followed here? A fundamental constraint was, inevitably, the nature and sources of the records that have survived to become accessible.
Few tribes had proven so secretive as to their religious beliefs and practices; at least I gathered this from the campﬁre talk of the men. Personally I had never thought of the Apache as having even the ﬁrst trace of religion. The only mental picture I could form of them was as a wild, desert and mountain tribe of marauders, giving no thought to anything but warfare. Later the workers of our party demonstrated that the Apache creation story is one of the most beautiful and poetic known to literature.
Edward S. Curtis and the North American Indian Project in the Field by Mick Gidley