Drama and Politics in the English Civil War by Susan Wiseman PDF


By Susan Wiseman

ISBN-10: 0511518986

ISBN-13: 9780511518980

ISBN-10: 0521472210

ISBN-13: 9780521472210

In 1642 an ordinance closed the theaters of britain. Critics and historians have assumed that the edict was determined and inviolate. Susan Wiseman demanding situations this assumption and argues that the interval 1640 to 1660 used to be now not a spot within the construction and function of drama. fairly, through the interval writers concentrated as a substitute on various dramas with political views, from republican to royalist. In studying the varied types of dramatic creation of the 1640s and 1650s, Wiseman bargains new insights into the theater of the Civil warfare.

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The Master of the Revels oversaw dramatic script and theatre performance, and Sir Henry Herbert's office in the 1630s licensed provincial playing and garnered other fees. The 1620s and 1630s saw theatrical events censored for various issues, including politics and religious questions. In 1641, for example, Sir Henry Herbert took objection to the script of a particular play, and in May 1639 the players at the Fortune were fined £1,000 for deliberately parodying Laudian ceremonies. But an attempt to isolate a category of the 'political' is inevitably problematic when dealing with alterations to scripts.

63 The place of drama and theatre as an index of cultural political debate in the mid-century struggles is only beginning to be recognised, as is the potentially democratising effects of public performance and print culture64 With regard to drama and 1642, much criticism operates with virtually the same understanding of censorship and periodicity as Hotson, Summers and others; as for the earlier theatre historians, the 1640s and 1650s remain a cultural wasteland. Most critics, therefore, use a single model of censorship with regard to 1642.

Not surprisingly, given the heat of the attacks, Marten had his own thoughts about opinions. B. for CD. . Imprinted with liberty'. 60 39 CHAPTER 2 With the agreement of the people in their hands9 transformations of 'radical' drama in the 1640s I N T R O D U C T I O N : RADICAL TALKING Sinne {Stage playes Opinion} It is a pity that Henry Marten, as a republican, never delivered himself of his Opinions on stage plays. In part this chapter attempts to use the available evidence to reconstruct the positions of tolerationist radicalism and other critical discourses of the 1640s with regard to stage plays and dramatic form.

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Drama and Politics in the English Civil War by Susan Wiseman

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