Download e-book for iPad: Deep Waters: The Textual Continuum in American Indian by Christopher B. Teuton

By Christopher B. Teuton

ISBN-10: 080322849X

ISBN-13: 9780803228498

Weaving connections among indigenous modes of oral storytelling, visible depiction, and modern American Indian literature, Deep Waters demonstrates the ongoing courting among conventional and modern local American platforms of inventive illustration and signification. Christopher B. Teuton starts off with a examine of Mesoamerican writings, Diné sand work, and Haudenosaunee wampum belts. He proposes a concept of the way and why indigenous oral and photograph technique of recording inspiration are interdependent, their features and reasons made up our minds by means of social, political, and cultural contexts.

The heart of this booklet examines 4 key works of up to date American Indian literature by way of N. Scott Momaday, Gerald Vizenor, Ray A. younger endure, and Robert J. Conley. via a textually grounded exploration of what Teuton calls the oral impulse, the image impulse, and the serious impulse, we see how and why quite a few varieties of modern local literary creation are interrelated and draw upon long-standing indigenous equipment of inventive illustration. Teuton breaks down the disabling binary of orality and literacy, delivering readers a cogent, traditionally expert conception of indigenous textuality that permits for deeper readings of local American cultural and literary expression.

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Additional info for Deep Waters: The Textual Continuum in American Indian Literature

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From the earliest inscriptions on stone steles, altars, flights of steps, and monuments, Mesoamerican graphic texts exalt and attempt to legitimize rulers with reference to victorious battles, the sacrifice of prisoners, the dating of political events, and the naming of nobles for specific calendar days (42). Marcus contends that writing in Mesoamerica was an offshoot of political power struggles in these socially stratified societies, “a tool and a by-product of this competition for prestige and leadership positions” (15).

The oral impulse is the impulse communities and individuals feel as the need to create and maintain knowledge in relatively direct response to one another and to a rapidly changing world. ). The graphic impulse expresses the cultural desire for the permanent recording of cultural knowledge in formats that will allow for recollection and study. Like oral discourses, 32 | the oral, graphic, and critical impulses graphic discourses can draw on a vast array of formats and styles. Walter D. Mignolo defines a graphic sign as “a mark on a solid surface made for the purpose of establishing a semiotic interaction.

Responding to a call for tribally specific critical approaches articulated most forcefully by Elizabeth Cook-Lynn, Craig the oral, graphic, and critical impulses | 21 S. 10 In Red on Red: Native American Literary Separatism, Womack studies Creek oral tradition in order to “formulate interpretive strategies” (1999, 76). He states, “We scholars haven’t yet done enough to articulate how the oral tradition provides the principle for interpreting our national literatures—the genres; the unique approaches to character development, plot, theme, setting, and so on; the effect on the structuring of stories; the philosophies that come out of this tradition; the contexts it provides for understanding politics, religion, and society” (76).

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Deep Waters: The Textual Continuum in American Indian Literature by Christopher B. Teuton

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