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So are the many youth icons that show-business has built, prearranged to different levels, in its history, from James Dean to Britney Spears (having made the necessary distinctions). However, cultural production – including industrial production – owes its effects not only to the extraordinary apparatus capable of grasping the demand of its audience and achieving their expectations. It also happens that it intercepts almost randomly, instances that are already present, though dormant, which the cultural offer is able to represent.

1997. The Fourth Turning. An American Prophecy. New York: Broadway Books. , 1998. Growing Up Digital. The Rise of the Net Generation, New York, McGraw Hill. , Gilligan, R. , 2005. Cultural Factors Shaping the Experience of ICTs: An Exploratory Review, COST. 35 Michael Corsten Media as the “Historical New” for Young Generations 1 Introduction: from Political Viewpoints to Media Systems of Articulation The ‘Problem of Generations’ is not recent1. 81 years ago, in 1928, a solution was found in Karl Mannheim’s corresponding article which has not been surpassed since.

New York: Random House. , 2002. Skills and Preferences: learning from Nintendo generation. , 2008. Born Digital. Understanding the First Generation of Digital Natives. New York: Basic Books. , 2007. Teenage: The Generation of Youth 1975-1945. London: Chatto & Windus. , 1992. Consuming Technologies: Media and Information in Domestic Spaces. London: Routledge. , 2007. Media and Morality. On the Rise of the Mediapolis. Cambridge: Polity Press. , 1997. The Fourth Turning. An American Prophecy. New York: Broadway Books.

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